Showing posts with label squatting. Show all posts
Showing posts with label squatting. Show all posts
Monday, June 24, 2013
Makers by Cory Doctorow
Makers, Cory Doctorow. New York: Doherty, Tom Associates, L.L.C., 2009. e-book, 547 pps.
You can download Makers for free at Cory Doctorow's site here:
http://craphound.com/makers/download/
Cory Doctorow [@doctorow on Twitter] writes books for geeks, pirates, nerds, and other rads like me. There has been bits of speculation that we are now in the period of post-work. Makers addresses this in the form of we the common people doing it for ourselves. Squatters down on their luck have known this for a long time. They take over abandoned buildings-- I actually met a squatter from New York City passing through Pennsylvania once-- and make them into homes until the cops and city officials come to throw them out.
The free download from Craphound include a wonderful essay on the anti-copyright activists, or Big Hollywood. These people are to be despised by any decent citizen. Once I buy a book, e-book or otherwise, it should be mine to gift to someone else, lend out, sell, scribble on the pages, write found poetry from or whatever.
The other day I was in a major chain bookstore and a guy came by to ask the e-reader associates a question. He said he was a teacher, and he wanted to copy a few pages out of an e-book that he had paid for in order to share them with a class that he was currently teaching. The e-book associate hemmed and hawed and spewed forth some bullshit about D.R.M. Teachers were always permitted to photocopy pages out of any book at the library for their students. This man had more of a right to print out pages from an e-book which he had purchased than any of the rest of us do. He walked away mumbling something about taking screenshots of the pages he wanted. I wanted to shout after him, "You go, Teach!"
Big Hollywood and the political idiots making digital laws would have us believe that we are buying a "license" to use an e-book. As Cory Doctorow tells us, the book industry itself does not talk about the increase in licenses for e-books bought-- they talk about e-book sales. Indeed, the lie is exposed by the button that says "buy" on my computer. Due to perception problems and ocular-motor dysfunction from a traumatic brain injury, my e-reader has given me back the ability to read for more than a half hour at a time. If I hadn't had my life-changing brain damage, I would have stuck with the printed pages of regular books. No one is [yet] arguing about my right to do as I wish with those.
So Big Hollywood, ACTA, DRM, RIAA, CRAPTA and all you other fancy mancy pantsy morons, you can go away now thank you very much. The beginning essay titled "About this download" should be required reading for all of the playahs who want to pry my e-book out of my possession.
After a nifty dedication on page 12, the serious story begins on page 14. There are news reporters in Makers and a rich guy who figures into Makers. The rich guy, one Landon Kettlewell, is speaking about how technology has killed off travel agents and record labels. He says "Capitalism is eating itself."
I am a mall rat and have been that way ever since I was old enough to take myself to a mall on a bus. There are malls in Makers. There are old abandoned malls and pieces of land which folks begin to use in order to earn a living. A couple of the heros in Makers have started their own industry in one such under-used mall. And the people like it.Nearby is a colorful shantytown where some of the folks who work at the mall live along with some other colorful people. Soon there are start-ups all over the United States. Some folks fall in and out of love. There are fat clinics-- folks who sign up for them are called fatkins-- for people who want to be thin. So yeah, obesity treatment with a catch. Like in present life, folks who opt for surgical treatment have to take vitamins and supplements. Unlike today, the fatkins have to eat 10,000 calories a day in order to live. Friendships are made, broken and remade. The start-ups expand internationally, including into Brazil which is its' own delightful sub-story.
A disgrunted fired employee from a large popular amusement park is taken in and that is where the trouble, serious trouble, begins. This trouble is akin to the Girl Scouts no longer being allowed to sing the song about friendship and silver and gold because of copy-hog issues. The copy-monopolists are in full-force but something happens and they don't quite get their way. I won't give away the ending, sorry folks, but it was worth it. There is something there about each one doing what their talents and interests lead them to do.
sapphoq reviews says: I recently came across a review by someone who was not a techie, geek, nerd or rad. The reviewer did not "get it" and confessed to not having been able to finish the book. Cory Doctorow does not write for regular people. Makers, like all of the other Doctorow books, is written for folks like me and possibly you. If you understand that security is not the opposite of privacy, you should read Makers. If you cheer on the folks with the masks at protests world-wide, you should read Makers. If you know where the nearest local Makerspace is, you will love Makers. Absolutely and highly recommended. Makers is love.
Tuesday, January 22, 2013
Pirate Cinema by Cory Doctorow
Pirate Cinema, Cory Doctorow. New York: Tor Teen Books/Tom Doherty Associates, L.L.C., 2012. e-book, 876 pps.
After finishing Pirate Cinema, I wandered around the homestead for several days belting out:
Yes I am a pirate, two hundred years too late.
The cannons don't thunder, there's nothin' to plunder.
I'm an over-forty victim of fate
Arriving too late, arriving too late.
[Jimmy Buffett, A Pirate Looks at Forty]
and:
I'm a filthy lil hacker but I still shine.
[YTCracker, Computer Crimes]
much to the horror of my housemate. Yes, Pirate Cinema is that kind of a book. London isn't like any place that I've been except through reading. Cory Doctorow does an excellent job of transporting me right there to a squatter's building that used to be an old pub, a bunch of friends who are righteous about pirating films in order to splice them up into new and unique art, and a Parliamentary fight which also included a sneering nod to the Intellectual Property Monopoly. Trent's flatmates became my flatmates [although he did get to keep his girlfriend]. His pirate buddies became my pirate buddies. The film parties became ones that I also attended, dancing away to pounding tunes in a corner until the lights get put out and the movie reels begin. Trent's bio-fam didn't become my bio-fam. The differences were too glaring for that. But in all of the rest, his people became my people. Because the struggles in Pirate Cinema are my struggles and the struggles of some of my closest Internet buddies.
I'd never heard of pirating until a few years back. A bunch of us used to snicker whenever one P2P file sharing networks in particular was mentioned. We used to call it "Virus Wire." I never used it. Re-formatting is a pain. I've had to do it once or twice. No use in signing up to do it on purpose unless it's a job thing with some salary attached. I certainly knew about censorship. As a writer, one cannot help but know something about censorship. I found the Electronic Frontier Foundation on the web. Watched as a good blogger buddy of mine got kicked from Yahell 359. Well, okay. I was a bit jealous. I'd wanted to be provocative enough to be kicked from there too. [I wasn't]. In typical maddening fashion, that blogging site let the
2012 was the year when I was able to put the pieces together. I became unstuck. Started activating again. Last year was when I became un-brain dead to some of the more heated struggles around me which were resulting in young people having extraordinary legal hassles because they were downloading songs and movies. I participated in Black March 2012 boycott and started really studying the legal mumble jumble coming out of Big Hollywood.
I'd been to Montreal several times. A few years before 2012, I had picked up some French cowboy music and had a conversation with the young man behind the counter of the music shop. He told me that Canada put a surcharge on the music to cover folks wanting to make an extra copy or whatever. Something like that. Cory Doctorow suggested something similar in Pirate Cinema. It makes much more sense to me than the United States using some kind of weird Immigration Law thingy to try to import one English lad to court and maybe prison for putting links on his website to a site that had some television shows available. The young man actually had done nothing wrong according to English law as I understood it. He merely provided some links. [Actually, the way I remember it is that in England, those downloads being offered by the other site were also legal]. At any rate, the proffered solution in Pirate Cinema was for the I.S.P. companies to set a reasonable licensing fee so we users could legally download songs and films and stuff like that. This extra fee-- a few dollars a month for anyone who opted in-- would be distributed to the creators and the artists [and maybe to the big companies] whose stuff we the people wanted to download.
Trent and his buddies were into revising films by taking frames from various ones, add a bit of computer animation, and voila-- a new short made from used bits. This sounds like fun. Reminded me a bit of some of the things we used to splice together at a college radio station. I was actually fairly good at fixing those old tape reels when they broke. Reminded also of collages. I've made a few of those. Even took a class in that once for fun. No one seems to be going after the collage makers. After all, a collage is bits of [our own and/or other peoples'] pictures and shapes and words glued on paper to create a derivative work. Fair use is killed now. Which sucks. So yeah, I think giving up a few extra bucks a month is way cheaper than bunches of people winding up in prisons and stuff like that.
The other thing I absolutely loved about Pirate Cinema is the techie parts. I've known about dumpster diving for discarded electronic components and other bits and even for food. I understood the techie talk. And I was thinking to myself, at last I found an author who thinks and talks about the computer stuff that I really really love. It's all been put into Cory Doctorow's books. So yeah, I'm reading the rest of them.
sapphoq reviews says: Pirate Cinema is first-rate. Although it says "Tor Teen Books" on the back, people other than teens will like it too. People who know more about computers besides the "On" button. People who are actively engaged in keeping the politicians from botching up the Internet. People who are raving mad about the interference of giant corporations who want to impose draconian and punitive laws on what we do on the internet. People who grew up in an era when we all made back up tapes of our music and homemade mix tapes of songs from various bands that we liked. People who embrace free software. People who shout things like "Information demands to be free" at the bureaucrats. People who understand something about the hacker culture. People who have been pirates or who dream about being pirates. If you don't fall into any of those sorts of things, maybe you won't care for Pirate Cinema. Maybe you will be the kind of person who writes whiny reviews on the book selling sites noting that the hackerish geeky stuff was oh so boring and unintelligible. Or maybe a few of you will stick around and become un-brain dead like I did and get to know some of us and one day you will find yourself walking around singing about pirates and stuff. Or heading off to a protest [I never did get used to calling a protest by the modern counterpart "action"] for some cause that you believe in. You just never know.
Cory Doctorow, rock on. Forget the haters who don't care about kids winding up in prison for downloading a few tunes. The rest of us are here. And delighted to have some books around that speak to our culture, our time, who we are. Thanks for that.
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